Mourning
rituals of the Victorian era included elaborate graves, expensive funerals,
withdrawing from society, wearing black mourning clothes, and adorning oneself
with memorabilia of the deceased. Elizabeth Wilson states the mourning ritual
was not “conspicuous consumption” instead, it expressed “both the deep
seriousness of the Victorian evangelical sensibility and the generalized
hysteria of the culture”. In an era where the middle class population was large
and increasingly affluent, with life expectancy rising, Wilson notes “the
particular emphasis on mourning throughout the nineteenth century may have been
because death at any age was no longer taken for granted”. Myrtle and Gilbert
could afford children and death was not expected, instead they had hopes of a full
life for their daughter. Myrtle embraced all the mourning rituals expected of
her, hoping they would cure and lessen the pain she felt from the loss of her
daughter and her husband. Unlike Myrtle, some were more skeptical of mourning
rituals. Jalland describes how a Victorian doctor Keith Norman MacDonald wrote
a pamphlet in 1875 on “Death and how to Divest it of its Terrors” in which he
“rejected the wearing of mourning-dress as a “silly custom” which “adds to the
embaressments’ of mourners”. Jalland also notes that Victorian
novelists such as Charles Dickens, “tended to ridicule extremes in mourning etiquette,
enhancing the impression that widows were motivated more often by social
emulation, convention and vanity than genuine sorrow”.
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